Soprano
Based in Paris. Nedda, Agathe, Adina on stage. Oratorio soloist, from Handel to Dvořák.
Two arias, with piano. Playback continues while you browse the site.
Rossini, Il Signor Bruschino, Sofia’s recitative and aria
Sofia begs old Bruschino to acknowledge as his son the man she loves, Florville, who is posing as him, and to give him to her as a husband.
Bizet, Carmen, Micaëla’s aria
Alone at the smugglers’ hideout, come to bring Don José home, Micaëla tells herself nothing frightens her, admits she is trembling, and asks God for courage and protection.
Recorded and mixed by Amine Maamar Kouadri.
Download: her CV, her repertoire (PDF, in French).
A soprano trained at the Boulogne-Billancourt Regional Conservatoire, graduating in 2025.
She also holds a master’s degree in intercultural communication and translation from ISIT, and is fluent in English and Spanish.
Master classes and summer academiesRosemary Landry, Sesto Quatrini, Jean-François Lombard, Aprile Millo, Marc Mauillon. Yves Coudray and Élisabeth Baudry. Internationale Sommerakademie am Rhein (2024, 2025).
Agathe and Adina
Scenes from Weber’s Der Freischütz and Donizetti’s L’elisir d’amore, conducted by Adrien Poupin
First Cousin, a Lady of the Court
Offenbach, conducted by Yanis Benabdallah
Totte
Maurice Yvain
Nedda, and chorus
Leoncavallo, conducted by Aurore Tillac, Les Voix Concertantes, Paris
The Princess, the Shepherdess, the Bat, the Owl
Ravel, Boulogne-Billancourt Conservatoire
Chorus
Puccini, Les Voix Concertantes, Paris
Three programmes drawn from her repertoire, to be adapted to your season, venue and audience. Proposals, to be confirmed with Constance
The young women of French opera, from Bizet to Massenet, and the songs that extend them.
Arias of Micaëla, Leïla, Marguerite, Juliette and Manon. Songs by Debussy, Duparc, Fauré, Chaminade and Poulenc.
Voice and piano; order and length to be shaped with you.
Ask for this programmeItaly’s virtuosity and wit, from Mozart to Puccini.
Arias of Sofia, Norina, Adina, Giulietta, Susanna, Musetta and Liù.
Voice and piano; order and length to be shaped with you.
Ask for this programmeFor a church, a chapel, an early music festival.
Excerpts from Handel’s Messiah and Dixit Dominus, Mozart’s Coronation Mass, Dvořák’s Stabat Mater and Rossini’s Petite messe solennelle.
Voice and piano; order and length to be shaped with you.
Ask for this programmeFor a voice and piano recital. Standard sheet, to be confirmed with Constance
A production question? +33 7 81 60 10 78
Photos: Laurence Mullenders.
Two A4 pages, in French: biography, photo, stage, repertoire and contact.
Download the PDFFree for press and concert programmes, with the credit shown.
Three lengths, ready to copy into a programme or a press release.
Constance Aubigny is a soprano. A 2025 graduate of the Boulogne-Billancourt Regional Conservatoire, she has sung Nedda (Pagliacci) on stage, and Agathe and Adina in scenes from Der Freischütz and L’elisir d’amore. A soloist in oratorio, from Handel to Dvořák, she has recorded two albums with the Poséidon choir and ensemble.
Constance Aubigny is a soprano. She received her Diplôme d’études musicales (DEM) from the Boulogne-Billancourt Regional Conservatoire in 2025, after a master’s degree in intercultural communication and translation from ISIT in Paris. She is fluent in English and Spanish, and sings in German, Italian and Russian.
On stage, she has sung Nedda in Pagliacci with the opera company Les Voix Concertantes, Agathe and Adina in Opéra en pièces détachées, the Princess and the Shepherdess in Ravel’s L’Enfant et les Sortilèges, and Totte in Maurice Yvain’s Yes!
A soloist in oratorio (Handel’s Messiah, Dvořák’s Stabat Mater), she has sung with the Poséidon choir and ensemble since 2022, with whom she has recorded two albums. She has taken master classes with Rosemary Landry, Sesto Quatrini and Aprile Millo.
Constance Aubigny is a soprano. She holds a master’s degree in intercultural communication and translation from ISIT in Paris (2015 to 2019), and in 2025 received her Diplôme d’études musicales (DEM) from the Boulogne-Billancourt Regional Conservatoire. She is fluent in English and Spanish, and sings in German, Italian and Russian.
On stage, she has sung Nedda in Leoncavallo’s Pagliacci (conducted by Aurore Tillac) with the opera company Les Voix Concertantes in Paris; the Princess, the Shepherdess, the Bat and the Owl in Ravel’s L’Enfant et les Sortilèges at the Boulogne-Billancourt Conservatoire; Totte in Maurice Yvain’s Yes!; the First Cousin in Offenbach’s La Périchole (conducted by Yanis Benabdallah); then Agathe and Adina in Opéra en pièces détachées, on scenes from Weber and Donizetti (conducted by Adrien Poupin).
In concert, she has been a soloist in Handel’s Messiah, Dvořák’s Stabat Mater, Mendelssohn’s Hör mein Bitten, Herr (conducted by Arnaud Condé) and the sacred music programme Voix célestes. She has sung as a chorister and soloist with the Poséidon choir and ensemble since 2022, from Bach to Purcell, and recorded with them the albums Crucifixus (2024) and Bach, Buxtehude (2025).
She has taken master classes with Rosemary Landry, Sesto Quatrini, Jean-François Lombard, Aprile Millo and Marc Mauillon, a summer course with Yves Coudray and Élisabeth Baudry, and the Internationale Sommerakademie am Rhein in 2024 and 2025.
Opera, concert, recital or audition: tell her the essentials, and your message is ready to send by WhatsApp or email.
Or directly: +33 7 81 60 10 78 aubigny.constance@hotmail.com
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